I designed a generative particle system in TouchDesigner that treated the dome’s geometry as a gravity well. I created a visualiser map that unwrapped the 3D surface into a 2D canvas for the content team, showing them exactly where the seams would hide and where the zenith would stretch.
Subtitle: The Portfolio of [Your Name] I. The Visualiser’s Thesis In the contemporary landscape of live events, branded content, and immersive experiences, the role of the Visualiser has transcended mere technical execution. We are no longer just the person who “hits the spacebar” or routes cables. We are the bridge between the abstract dream of a Creative Director and the physical reality of LED panels, lasers, and projectors. visualiser portfolio
Zero latency drift over a 4-hour broadcast. The online audience genuinely asked, "Where did they build that physical set?" Case Study C: The Festival Main Stage (EDM) Client: [Artist Name / Festival] Venue: [Main Stage Name] Role: Content Visualiser / Media Server Operator I designed a generative particle system in TouchDesigner
I build low-fidelity grey-models of venues ([e.g., Sphere, Las Vegas / Accor Arena, Paris]) before the rigging points are even confirmed. I use [Insert Software: e.g., Vectorworks / Depence / L8] to simulate camera angles for broadcast and line-of-sight for the live audience. The Visualiser’s Thesis In the contemporary landscape of
I built the environment in Unreal Engine 5, utilizing nDisplay. I visualised the camera tracking data live, rendering the background parallax that made the 10-foot deep stage look infinite. I created a "Director's View" dashboard that allowed the producer to see exactly what the render engine saw, 1:1.