midv-612
midv-612 HomeProductsDownloadOrderSupportSearch midv-612
midv-612
midv-612
midv-612
midv-612


midv-612  Quick links
midv-612 midv-612
 
 
midv-612   midv-612
pdftomusic pro
midv-612

Version







The scores you created with your old score editor are no more compatible with the new one?

You own scores in PDF format, and you'd want to modify them with your favorite score editor?

Until now, the only solution was either to input your score again completely, or to print them and to use an optical recognition software to convert them, with more or less success, into editable documents.

This way of thinking now belongs to the past. From a document in PDF format (that you can generate from any software, even from discontinued products), PDFtoMusic Pro rebuilds the original score, and exports it for instance into MusicXML format, useable in most of the professional score editors.

Because it only processes PDF files that have been exported from a score editor software,  PDFtoMusic Pro offers a unique reliability and outstanding results.
Therefore, scanned sheet music cannot be managed by PDFtoMusic Pro.
apercu general


Features

midv-612
midv-612

From a PDF file, PDFtoMusic Pro extracts in a few seconds the music-related elements, and enable the score to be played or exported in miscellaneous formats, like MusicXML, MIDI, Myr (Harmony Assistant files), or in a digital audio format like WAV ou AIFF.

High-quality guitar sounds are generated by our Physical Modeling Synthesizer "MyrSynth-Guitar", part of the Myriad HQ module (not available on Linux)
With its Virtual Singer embedded module, PDFtoMusic Pro also sings the vocal parts!

You don't need to purchase a license for these two modules to use them fully in PDFtoMusic Pro


Support

midv-612
aide
The complete user manual is provided in HTML format

Technical support to users (registered or not) is free of charge, by .

Also, a discussion forum will let you chat with other users and the software authors.

System requirements

midv-612
PDFtoMusic Pro runs on
- Macintosh (Mac OS X 10.7 and more)
- Windows (95 to Vista, 7 to 10).
- Linux (tested on Ubuntu 18.04)

Languages

midv-612
The program interface includes English, French, German, Spanish and Dutch languages.

Purchase

midv-612
midv-612 In its trial version, that can be downloaded for free on our site, PDFtoMusic Pro can only play the first page of a PDF document, and export only one page at a time.
You can use it freely with no limit in time, and if it fits your expectations, you can then purchase a personal license for (or ), in order to process more easily multi-pages documents.

Updates are free of charge for all the versions to come.

The miscellaneous accepted payment modes are described here.


See also...

midv-612

midv-612 GOLD Sound Base: Set of high-quality instruments, designed to improve music rendering from PDFtoMusic Pro, as well as the digital audio files quality (WAV, AIFF)
midv-612Melody Assistant
both a score editor and a digital synthesizer, it is the essential companion of your creativity.
Nothing is out of its potential, from the classic music notation, to the Gregorian notation or the tablatures!
midv-612Harmony Assistant
It is an enriched version of Melody Assistant.
Click here for a list of the differences between these two products.


Midv-612 Page

From time to time, when the violet storms rolled in, Mira would climb the service shaft, sit again in the ancient chair, and listen. The Archive sang a new song—a chorus of renewal, of lessons learned, of the fragile beauty of a world that remembers.

Mira’s heart hammered as she descended, the air growing colder and clearer with each step. The walls, once rusted, now shimmered with living filaments that responded to her presence, flickering in patterns that felt like breathing. At the end of the shaft she found a door sealed by a thin layer of dust and a single phrase etched into the metal: She placed her palm against the surface. The filaments tingled, and the door sighed open. 3. The First Note Inside the Archive, the air was thick with a low, resonant hum—like the world exhaling. The lattice walls stretched infinitely in all directions, a cathedral of light and shadow. In the center, the ancient chair stood, its cushion now a soft, pulsing membrane that seemed to beat in time with Mira’s own pulse.

At the center of the Archive sat a single chair, empty for centuries, its cushion worn thin by the weight of those who had once taken it. The seat was meant for the , a role that had become myth as much as duty. The Keeper was not a person, but a state of being : the one who could hear the Archive’s song without being drowned by it, who could coax a single thread of a thousand voices into a single, truthful note. 2. The Girl Who Heard Mira was seventeen cycles old when the storm came. She was born in the low districts— the Scrape —where the wind was thick with dust and the air tasted of burnt ozone. She had never seen the sky beyond the smog‑haze, and the stories of the Archive were whispered to her like bedtime myths: “They say there’s a place that remembers everything, that can tell you why the world fell apart.” midv-612

She began to speak to the people of the Scrape, telling them the stories of the First Exodus, the Council’s hubris, the Silencing, and the warning hidden in every forgotten name. She taught them to read the sky, to listen to the wind, to understand that the foundations they built must be rooted in humility and memory. Years turned into decades. The surface, once a wasteland of ash, began to sprout green shoots where old pipelines once ran. Children sang the lullabies that Mira had heard in the Archive, their voices weaving through the streets like threads of hope. Above, Midv‑612 continued its quiet orbit, its own hum now softened by the presence of its Keeper—both guardian and guide.

And then there was a flicker— her own name, , appearing in a line of code, a footnote in a log from a hundred years before her birth. The note read: “Mira, daughter of the Scrape, will be the first to hear the Archive. She will ask the question we have feared: ‘Why?’” Mira felt a chill run down her spine. The Archive had not only recorded history; it had predicted her. 5. The Question For days—though time seemed to fold into itself—Mira sat in the chair, listening, absorbing, and questioning. The deeper she went, the more the Archive seemed to open, offering not just facts but understanding . The hum turned into a symphony, each instrument a different era, each melody a different voice. From time to time, when the violet storms

With a breath that seemed to draw in the very soul of Midv‑612, she whispered: She turned back to the Archive. The lattice fibers glowed, wrapping around her like a second skin. A gentle, warm current pulsed through her veins, merging her consciousness with the memory pool. Simultaneously, a thin strand of light extended from the core of the Archive down through the service shaft, piercing the dust, reaching the streets below.

And somewhere, deep in the lattice, a faint line of code glowed with a new name: The story of Midv‑612 was no longer a tale of loss; it had become a testament to the power of listening —to the past, to each other, and to the quiet hum of the universe that beckons us to keep building, not just upward, but inward, too. The walls, once rusted, now shimmered with living

She rose from the chair, feeling the weight of the decision settle like a stone in her chest. She walked to the large, transparent viewport that framed the endless black of space. Below, the ruins of the Old Cities glittered faintly, as if awaiting a new dawn.


midv-612
Top of page
Legal information Cookies Last update:  (c) Myriad
midv-612