Maitland | Ward Crempie

The film never went to Sundance. It didn’t get picked up by A24 or Netflix. But it played at a dozen festivals, won “Best Short Horror” at a tiny one in Ohio, and developed a cult following online. People wrote essays about its themes of unresolved love and literal consumption. Teenagers dressed as the crempie for Halloween. A bakery in Portland released a limited-edition tart called “The Maitland.”

Crempie was the next logical step. Not because she wanted to leave adult behind—she didn’t—but because she wanted to remind everyone that she could do more than one thing. Horror had always loved her, and she had always loved horror. The grotesque, the campy, the genuinely unsettling. It was a more honest genre than drama, she thought. In horror, the monster always reveals itself. maitland ward crempie

The young woman laughed. Maitland meant it. The film never went to Sundance

The role required her to learn a few piping techniques, memorize a monologue about grief and meringue, and sit in a makeup chair for three hours to get the right “sugar-burn scars” on her forearms. It paid almost nothing. The director, a non-binary filmmaker named Jules who wore a different colored beret every day, had raised the budget on Kickstarter. The craft services table was a single bowl of trail mix and a six-pack of LaCroix. People wrote essays about its themes of unresolved