Laufey herself doesn’t seem bothered. In interviews, she calls her music —and shrugs off the rest.
Let’s break it down. Most streaming services and critics have landed on jazz-pop as the catch-all label. And it fits—sort of. laufey genere
And it’s working. Bewitched debuted at No. 1 on Billboard’s Alternative New Artist Albums chart—a space usually reserved for rock and indie acts. If you need a one-line answer for your playlist or your next music nerd debate: Laufey makes cinematic, jazz-inflected bedroom pop for romantics who grew up on TikTok. But really? She makes her own genre : honest, orchestral, and slightly vintage. Call it what you want. Just don’t call it elevator music. What genre do you think Laufey belongs to? Let me know in the comments—or just keep streaming “Promise” on repeat. No judgment here. Laufey herself doesn’t seem bothered
She’s not quite Billie Holiday, and she’s not quite Taylor Swift. So where does Laufey fit? If you’ve spent any time on TikTok or in cozy café playlists lately, you’ve heard her . The honeyed cello lines. The whispered, heart-on-sleeve lyrics. The voice that sounds like it drifted straight out of 1959. Most streaming services and critics have landed on
Laufey, a 24-year-old Icelandic-Chinese singer, songwriter, and multi-instrumentalist (cello and piano), grew up surrounded by jazz greats. Her debut album, Everything I Know About Love , and her Grammy-winning follow-up, Bewitched , are drenched in lush string arrangements, walking bass lines, and chord extensions that would make Ella Fitzgerald smile.
Here’s the truth: genre is a tool for marketing, not a cage for art. Laufey is doing something rarer than inventing a new style. She’s an old one to a generation that was told jazz was dead or difficult.