((new)) - Best Punjabi Comedy Film
Yes, the sequel. And no, it’s not a cash grab. Directed by Smeep Kang, COJ2 takes the template of the 2012 original and detonates it into a farcical masterpiece. A hapless everyman (Gippy Grewal’s Goldie) is married to a lawyer (Sonam Bajwa’s Meet) but terrified of her father (the volcanic B.N. Sharma as Advocate Dhillon). To avoid a divorce, Goldie fabricates a fake wife and child—leading to a domino chain of mistaken identities, a fake Anglo-Indian relative, a runaway bride, and a courtroom climax that channels Charlie Chaplin via Amritsar. Why It Wins 1. The Law of Escalating Absurdity Most Punjabi comedies rely on one-note caricatures. COJ2 weaponizes them. Every character—from Jaswinder Bhalla’s stammering simpleton to Gurpreet Ghuggi’s mustachioed loudmouth—enters with a unique comedic tic, then collides into others like bumper cars. The film’s genius: no joke outstays its welcome. A misunderstanding about “Kashmir” vs. “cash mere” is set up, milked for 30 seconds, then abandoned for a physical gag involving a collapsing cot.
Meet isn’t a doormat; she’s a sharp lawyer who sees through Goldie’s lies early, then decides to punish him on her terms . The climax doesn’t redeem the hero through tears—it redeems him through public humiliation and a signed contract. In a genre where women often serve as prizes or punchlines, COJ2 gives its female lead the final gavel. best punjabi comedy film
No discussion is complete without Sharma’s Advocate Dhillon—a man whose rage shifts from zero to shrieking in 0.2 seconds. His delivery of “ Shava shava ” as a sarcastic death threat rewired Punjabi slang forever. He’s the film’s id: every suppressed scream of middle-class family life, let loose. Yes, the sequel
Here’s an interesting, critical-yet-celebratory review-style exploration of what could be called the —rather than naming just one, it argues for a titleholder while appreciating the genre’s evolution. The Crown of Laughter: Why Carry On Jatta 2 Might Be Punjab’s Perfect Comedy In the bustling, boisterous world of Punjabi cinema—where melodrama often rides shotgun with machismo—one genre has quietly (or rather, loudly) achieved cult immortality: the ensemble comedy. And at the top of that heap sits a film that isn’t just funny; it’s structurally audacious, endlessly quotable, and surprisingly warm-hearted: Carry On Jatta 2 (2018) . A hapless everyman (Gippy Grewal’s Goldie) is married
★★★★½ (minus half a star for the unnecessary item song) Watch it with: Your cousins, at 1 AM, with leftover butter chicken. Quote that lives rent-free: “ Tussi ja rahe ho? Main aa raha hoon! ” Would you like a shorter pick or a comparison of the top 3 instead?
I haven’t watched this fully yet, but from what I know I have to say that this is surely awesome compared to what nonsense Bollywood is coming up with these days 🙂 😀
Absolutely… it is worth watching… actually almost everything made by yash raj productions is actually worth a watch, because they are usually original storylines… one if my faves is mohabbatein from 2002.
Used to be – last four in a row or something from them have been pretty uninteresting 😀 not as good as they used to be 😦
ohhhhh really?? 😦 yeah I stopped watching or following after probably 2008 or so…
Except for a few movies, Bollywood is terrible these days. They have no ideas; they just copy from other Indian movies, Hollywood and even from Korea. Like this: http://moviesofthesoul.wordpress.com/2014/07/01/ek-villain/
At least such copied movies are okay watch 😀
Aren’t Kajol and SRK a bit too old for this mills and boons dross they keep spouting out?
I haven’t really been following their individual work rather than their work together in movies, so I can’t really say. But, yeah, SRK definitely made some bad choices over the past years. As far as Kajol goes I think she usually chooses her roles wisely. Or did you mean something else?
And I think there is really no age limit when it comes to romantic movies…